There is something wonderfully theatrical about Jonathan Groff arriving in Stratford-upon-Avon to play Rosalind. An actor whose career has been defined by movement between Broadway and screen, intimate plays and blockbuster musicals, comedy and drama, is now stepping into one of Shakespeare’s most exhilarating characters. And he is doing so in a production that returns…
The lights dim as the night begins to wrap itself around the audience of the Roman Theatre in Verona — but it’s not just nightfall that descends: it’s the heavy shadow of jealousy, manipulation, selfishness, and blind power that turns into violence… against women, and against the “other.” This Othello, staged as part of the…
A stage lit by mirrors and illusions, a performance in conversation with the present, and an immortal text reimagined through the lens of one of Italy’s most important writers. Othello, adapted by Dacia Maraini and boldly directed by Giorgio Pasotti, is far more than a simple theatrical reinterpretation — it is a civic outcry, a…
In the warm heart of a packed theater, under lights that caress faces and souls, Giacomo Giorgio brought to life not just any Othello, but one that burns. An Othello who is young, fragile, different, modern. An Othello who trembles, loves, makes mistakes, erupts. An Othello who, perhaps for the first time, truly feels close…
Le luci si spengono quando il manto della notte inizia ad avvolgere il pubblico del Teatro Romano di Verona; ma non è solo la notte a calare: è l’ombra profonda della gelosia, della manipolazione, dell’egoismo, del potere cieco che diventa violenza…nei confronti della donna; ma anche del diverso. L’Otello in scena in occasione della rassegna…
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