Dance is the hidden language of the soul: Dance – The Audition

Huge success for the premiere, on the International Dance Day last April 29th, of the docu-film Dance – The Audition at Cinema House in Villa Borghese in Rome. Dance – The Audition is an international production by New Yorker Delta Star Pictures and Fini Production LLC, a 52-minutes long docu-film that like A Chorus Line,…


The Play That Goes Wrong ovvero Che Disastro di Commedia al teatro Gioiello di Torino

Abbiamo avuto la fortuna, nel corso degli ultimi anni, prima a Londra e poi a New York, di seguire a teatro uno spettacolo divertente fino all’inverosimile, dal titolo The Play That Goes Wrong; non potevamo quindi resistere alla tentazione di assistere anche alla versione italiana, diretta come quella di Broadway, dal regista britannico Mark Bell…

Di fronte all’impossibile io credo di aver avuto coraggio: E’ questa la vita che sognavo da bambino?

Si è chiusa, con una tappa sold out fuori programma a Ventimiglia, la tournée teatrale di Luca Argentero nello spettacolo diretto da Edoardo Leo “E’ questa la vita che sognavo da bambino?” Quali sono gli ingredienti del coraggio? Come raccontare il coraggio? Questo si chiede Luca, neo quarantenne di Torino. Beh, decide di farlo raccontando…

Ph: Achille Le Pera

La grana è fonte di ogni piacere e soddisfazione in questo zozzo mondo: RAGAZZI DI VITA

L’adattamento di Massimo Popolizio su drammaturgia di Emanuele Trevi del romanzo di Pier Paolo Pasolini, in scena al Teatro Carignano, è uno spettacolo dall’alto livello artistico e dalla regia raffinata che racconta alcune problematiche odierne: la globalizzazione che ha la meglio sulla persona. Ragazzi di vita è il primo romanzo di Pasolini; pubblicato nel 1955,…

C’è la mia vita in quel romanzo: Il Maestro e Margherita al Teatro Toselli di Cuneo con quel “diavolo” di Michele Riondino

Undici porte che permettono i cambi di scena e che chiudono i personaggi nelle loro parentesi esistenziali. Un unico ambiente che diventa ora piazza, ora manicomio, ora salone, ora ufficio, ora teatro. Tre pareti, enormi lavagne nere su cui lasciare messaggi con gessetti bianchi; nonostante la censura, nonostante l’incomprensione, nonostante il regime. Una storia travagliata,…

“Being in Glee was like being part of Hamilton or One Direction” : Darren Criss at 58th Monte-Carlo Television Festival

Michele in the year that consecrates him as an international star not only for his vocal skills but also for his acting excellence. He talked to us about his experience as Andrew Cunanan in The Assassination of Gianni Versace based on the book, by Maureen Orth, Vulgar Favors. But not only…

D: Fashion is something I’m very passionate about (he is wearing a wonderful white suit with black flowers on it) but as an actor, I’m just in that world for a small part. So I’m very glad they chose me for this role. Especially because I had the opportunity to meet an extraordinary woman like Donatella Versace. And I love Italy and Italians. I lived in Arezzo where The Life is Beautiful is set…Buongiorno Principessa!!! Yes, I remember a little bit of Italian…I love languages. And I went to the Giffoni Festival a few weeks ago. I love Italy! Can’t wait to come back again. For Glee and Versace, as a white straight man (he is engaged to Mia Swier) I’m very proud that an important community like LGBT embraced me making me feel like one of them.

C: How did you approach your character?

D: People think you work differently if you play something dark…like if you have to go dark to make it. Truth is that you work in exactly the same way. It doesn’t matter if you’re doing a comedy, a sit-com, a thriller, or Shakespeare. Here we talked about something real. The thing with Andrew is that the audience is not connected with his world. It’s a huge obstacle because now we are not paying attention to the performance but to the impersonation: his conflicts and his fears. We were constantly moving between the ’70s and the ’90s so it was impossible to make my look changing so often but it’s not what matters in this series and this story.
I built my character from the book as it is a very good piece of investigative journalism and people come to me like all the time from all around the world talking about Andrew. And it’s amazing the things you hear; ’cause his personality, etc…, get finally sense.”

C: How was working with Ryan Murphy?

D: Before this project, we didn’t really work together… together; like making your hands dirty together. He was my boss and stop. It’s like being a friend of a football star. You know him, his family but you’ve never seen him play football. Even if you know it’s what he is famous for. Then suddenly you see him make his magic…that’s what happened with Ryan. He is such a terrific guy.

C: How can you explain the empathy that the audience can grow with your character even if he is a real person who murdered people?

D: I think this has more to do with human compassion than with our work. As a human I believe we are hopelessly optimistic; so I think it’s our research of his redemption this empathy we feel. Our story gives the audience some prospects they never had the occasion to look at before. Obviously what he did is terrible, unforgivable. But there is also another tragedy in this story: Andrew potential. If you look at the stereotypical US serial killers you see they are all people with this amazing and huge potential. Before becoming a serial killer, Andrew was living this great life in San Diego. He was smart and charming,… so we have to wonder why the fall, and we become like frustrated faithful friends. But this doesn’t mean we forget him.

C: Which is your favorite memory from Glee?

D: When I joined the cast, Glee was a huge phenomenon already, so it was, for me, like joining Hamilton or One Direction. I don’t have a special memory because I love everything about that show.