Colui che danza cammina sull’acqua e dentro una fiamma: Dance – The Audition
Colui che danza cammina sull’acqua e dentro una fiamma: Dance – The Audition
Colui che danza cammina sull’acqua e dentro una fiamma: Dance – The Audition
Just announced in New York the nominations for the 2019 Tony Awards for best achievements in theatre and musical. Musical Hadestown leads with 14 nominations, followed by musical Ain’t Too Proud-The Life and Times of Temptations with 12. Tootsie closed with 11 nominations. Nine for The Ferryman and To Kill a Mockingbird. New musical Beetlejuice…
Abbiamo avuto la fortuna, nel corso degli ultimi anni, prima a Londra e poi a New York, di seguire a teatro uno spettacolo divertente fino all’inverosimile, dal titolo The Play That Goes Wrong; non potevamo quindi resistere alla tentazione di assistere anche alla versione italiana, diretta come quella di Broadway, dal regista britannico Mark Bell…
E se, il teatro Toselli di Cuneo si trovasse in realtà su una nave da crociera? E se la nave da crociera fosse alla deriva? E se il teatro e i suoi spettatori fossero così trascinati su un’isola deserta? Inizia così il monologo messo in scena da uno straordinario Elio Germano al Toselli di Cuneo,…
Si è chiusa, con una tappa sold out fuori programma a Ventimiglia, la tournée teatrale di Luca Argentero nello spettacolo diretto da Edoardo Leo “E’ questa la vita che sognavo da bambino?” Quali sono gli ingredienti del coraggio? Come raccontare il coraggio? Questo si chiede Luca, neo quarantenne di Torino. Beh, decide di farlo raccontando…
Chorus Line arriva a Milano
L’adattamento di Massimo Popolizio su drammaturgia di Emanuele Trevi del romanzo di Pier Paolo Pasolini, in scena al Teatro Carignano, è uno spettacolo dall’alto livello artistico e dalla regia raffinata che racconta alcune problematiche odierne: la globalizzazione che ha la meglio sulla persona. Ragazzi di vita è il primo romanzo di Pasolini; pubblicato nel 1955,…
Siamo abituati a vederlo sfidare personaggi dai tratti difficili; che siano essi storici come Ulisse o Caravaggio; oppure moderni come il maestro Marioni, il “bastardo” de La Compagnia del Cigno; ma il Boni – Don Chisciotte è molto più che l’ennesima prova di bravura, è una sfida coraggiosa: quella di portare in scena un uomo…
After Miss Julie di Patrick Marber viene adattato alla messa in scena italiana trasferendo l’ambientazione dall’Inghilterra di metà Novecento alla Milano dei festeggiamenti per la liberazione del 29 aprile 1945; così come lo stesso Marber aveva trasposto il testo originale di August Strindberg dalla Svezia del 1888 (notte di San Giovanni) alla sua Inghilterra del…
Undici porte che permettono i cambi di scena e che chiudono i personaggi nelle loro parentesi esistenziali. Un unico ambiente che diventa ora piazza, ora manicomio, ora salone, ora ufficio, ora teatro. Tre pareti, enormi lavagne nere su cui lasciare messaggi con gessetti bianchi; nonostante la censura, nonostante l’incomprensione, nonostante il regime. Una storia travagliata,…
Lavorare non è vergogna, non lavorare è vergogna: LA CLASSE OPERAIA VA IN PARADISO
The nominees for the 64th Evening Standard Awards have been reveled, with several categories expanding to five nominees to reflect the wealth of talent on the London theatre scene. Laura Linney (My Name is Lucy Barton), Carey Mulligan (Girls and Boys), Cecilia Noble (Nine Night), Sophie Okonedo (Antony and Cleopatra) and Lia Williams (The Prime…
Quoting E.M. Forster Howards End, on which themes The Inheritance is based, “One may as well begin with…” With what? It is difficult to say where to begin with a play which, after rave reviews during its sold out run at The Young Vic Theatre, is now returned after a few months hiatus, for another successful and…
Michele in the year that consecrates him as an international star not only for his vocal skills but also for his acting excellence. He talked to us about his experience as Andrew Cunanan in The Assassination of Gianni Versace based on the book, by Maureen Orth, Vulgar Favors. But not only…
D: Fashion is something I’m very passionate about (he is wearing a wonderful white suit with black flowers on it) but as an actor, I’m just in that world for a small part. So I’m very glad they chose me for this role. Especially because I had the opportunity to meet an extraordinary woman like Donatella Versace. And I love Italy and Italians. I lived in Arezzo where The Life is Beautiful is set…Buongiorno Principessa!!! Yes, I remember a little bit of Italian…I love languages. And I went to the Giffoni Festival a few weeks ago. I love Italy! Can’t wait to come back again. For Glee and Versace, as a white straight man (he is engaged to Mia Swier) I’m very proud that an important community like LGBT embraced me making me feel like one of them.
C: How did you approach your character?
D: People think you work differently if you play something dark…like if you have to go dark to make it. Truth is that you work in exactly the same way. It doesn’t matter if you’re doing a comedy, a sit-com, a thriller, or Shakespeare. Here we talked about something real. The thing with Andrew is that the audience is not connected with his world. It’s a huge obstacle because now we are not paying attention to the performance but to the impersonation: his conflicts and his fears. We were constantly moving between the ’70s and the ’90s so it was impossible to make my look changing so often but it’s not what matters in this series and this story.
I built my character from the book as it is a very good piece of investigative journalism and people come to me like all the time from all around the world talking about Andrew. And it’s amazing the things you hear; ’cause his personality, etc…, get finally sense.”
C: How was working with Ryan Murphy?
D: Before this project, we didn’t really work together… together; like making your hands dirty together. He was my boss and stop. It’s like being a friend of a football star. You know him, his family but you’ve never seen him play football. Even if you know it’s what he is famous for. Then suddenly you see him make his magic…that’s what happened with Ryan. He is such a terrific guy.
C: How can you explain the empathy that the audience can grow with your character even if he is a real person who murdered people?
D: I think this has more to do with human compassion than with our work. As a human I believe we are hopelessly optimistic; so I think it’s our research of his redemption this empathy we feel. Our story gives the audience some prospects they never had the occasion to look at before. Obviously what he did is terrible, unforgivable. But there is also another tragedy in this story: Andrew potential. If you look at the stereotypical US serial killers you see they are all people with this amazing and huge potential. Before becoming a serial killer, Andrew was living this great life in San Diego. He was smart and charming,… so we have to wonder why the fall, and we become like frustrated faithful friends. But this doesn’t mean we forget him.
C: Which is your favorite memory from Glee?
D: When I joined the cast, Glee was a huge phenomenon already, so it was, for me, like joining Hamilton or One Direction. I don’t have a special memory because I love everything about that show.
Moulin Rouge new co-stars Aaron Tveit and Karen Olivo announced Broadway Audience Choice Awards nominations
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